As a prominent figure in the early 20th century esoteric scene, Leila Waddell (1880-1932) was a dedicated practitioner of Thelema, a spiritual and magical philosophy founded by Aleister Crowley. Her involvement in rituals and performances within Thelemic circles not only showcased her artistic talents but also demonstrated her commitment to exploring mystical realms beyond conventional understanding.
Leila Waddell's artistic endeavors were as diverse as they were profound.
Known for her exceptional skills as a violinist, she enraptured audiences with her performances, adding a unique flair to the esoteric gatherings she participated in, and inspired much of Crowley's ritual and political theatrics in her role as both his muse AND active collaborator.
Moreover, her interest in the occult also manifested in other forms of art and writings where she explored themes of mysticism and spirituality.
She became one of Australia's leading violinists, expressed herself skilfully as a writer & stayed a fervent supporter of Irish independence.
You will learn more about Leila Waddell in Ùna Maria Blyth's book "Muses No More: Portraits of Occult Women" where she is portrayed with 17 other women who marked the history of the Occult.
Photo: Leila Waddell performing the Rites of Eleusis in London (1910)